That LUT will essentially push the midtones and shadows a bit darker in the exported file, so that when viewed on a Mac, outside of Premiere, the file will look more like it did while viewed in Premiere.īut of course, then outside of the Mac-sphere, on a non-Mac system, that file will now be a lot darker than it appeared on the Mac within Premiere. So the image typically is darker within Premiere than outside on the same Mac computer. Premiere always attempts to operate by the Rec.709 standards, including it's internal monitors which are not 'controlled' by ColorSync. So Rec.709/SDR video files are displayed with lighter shadows and mids on a Mac, than they would be if displayed with the "normal" Rec.709 gamma of 2.4. is caused by the Mac OS color management utility ColorSync applying a non-standard gamma to Rec.709 video files.ColorSync, for some reason, uses a 1.96 gamma.
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